The Red Lake
Self-initiatedShort film1:14 · 1920×1080 · 16:9
A single black animal moves through a bleached herd at the edge of a blood red lake. A study in conspicuousness, and in what it costs to be the one that can be seen.
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I work with synthetic and computer-generated imagery: 3D, generative models and digital photography, as commissioned work, as teaching, and as art.
Self-initiatedShort film1:14 · 1920×1080 · 16:9
A single black animal moves through a bleached herd at the edge of a blood red lake. A study in conspicuousness, and in what it costs to be the one that can be seen.
Watch on YouTube ↗
Self-initiatedShort film0:44 · 1920×1080 · 16:9
A fiction about wanting to correct yourself. Inside a clone facility the procedures repeat until the result is perfect, and the only judge in the building is the woman being copied.
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Self-initiatedShort film0:24 · 1920×1080 · 16:9
The stranger she keeps circling across the empty U-Bahn carriage is herself. Cold daylight, sodium dark, and the distance a person keeps from their own reflection.
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Self-initiatedShort film0:53 · 1920×1080 · 16:9
A visual exploration of what a Wes Anderson film might look like if it were shot in the Swiss Alps. It closes on the irony of the traveller holding every card she needs to beat the farmers at their own table.
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Self-initiatedShort film0:13 · 1920×1080 · 16:9
A crop circle, a herd of cows and a red telephone, arranged as a set of signs that never quite resolve into an explanation. Deadpan science fiction under a hard blue sky.
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Self-initiatedConcept spot0:30 · 1920×1080 · 16:9
First ad test, built around the Rimowa cabin suitcase. Made entirely in Kling 2.5 and 2.6 and Nano Banana Pro.
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CommissionedClient · Call for volunteers1080×1920 · 9:16
A vertical call-out film for the Istanbul edition, built to run as a story and stop a thumb inside the first second.
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CommissionedClient · Music visuals20 tracks · 1080×1920 · 9:16
Spotify visualizers made with AI-generated imagery — one for every track on Wilderich's new album, cut to loop inside the player.
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CommissionedClient · Product visualisation5 colourways · 3D
Packshots and macro renders of the product in five finishes, produced as one consistent set for website, mailing and trade fair, alongside an animated version.





CommissionedClient · CGI film1920×1080 · 16:9 and 9:16
Liquid glass forms rendered as one continuous camera move, delivered in horizontal and vertical cuts plus a set of social edits.
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Self-initiatedConcept · Product visualisation7 images · AI generated
Soap, glass and liquid, lit for material rather than for product — the surface is the subject.
Self-initiatedConcept · Product visualisation10 images · AI generated
A broader set of product studies, working through several directions for the same object.
Self-initiatedConcept · Product visualisation5 images · AI generated
A companion set on leather: grain, weight and the way light falls across a closed form.
Self-initiatedImage series8 images · AI generated
Faces and hands press into a stretched skin of fabric that will not let them through. Conceived as portraits of pressure, built without ever showing a face unobstructed.
Self-initiatedImage series8 images · AI generated
Hands reaching into and under a taut surface. A companion series to Spandex, conceived around gesture alone.
Self-initiatedImage series10 images · AI generated
Cross sections that refuse to say what they are: fruit, organ, or something between the two. Conceived as specimens, lit like portraits.
CommissionedClient · Event identity2024—2026
Ongoing visual identity for the club night at Exil and Kauz in Zurich: a line-up poster for every edition, plus the animated logo and campaign material around it. Chrome, gradient and hard type, recomposed each time without losing the family resemblance.
Since 2024 I have taught at Bern University of the Arts (HKB) and Zurich University of the Arts (ZHdK) — every May in Bern, every October in Zurich.
The brief I keep repeating to students: the process counts for more than the perfect result. Experiments, bold attempts and failed ones are explicitly welcome.
Showing re constructed, a video installation made with Aline Bavier: shared childhood and adolescent memories reworked through generative image models. Curated by Jonas Deuter, supported by Kulturstiftung Liechtenstein.
Co-founder of Stüdio (2024) with Daniel Bornmann and Lennard Makosch — a multidisciplinary design practice based in Berlin, working on branding, CGI and motion design.
Independent graphic designer since 2023. Before that, video editor at Tages-Anzeiger, TX Group.
A detour that turned out useful: the media science degree came first, the art school second, and the two keep arguing productively.